1) How do representations in Oh Comely challenge stereotypes?
The representation of women in Oh Comely challenges the stereotype of how women are typically portrayed in the media. Women in the media are usually presented in a manner which reinforces the male gaze - women are typically objectified and sexualised for the view of men. In Oh comely women are showed in a more androgynous way and are portrayed in a more natural state rather than a forced identity.
2) What representations of race, ethnicity and nationality can be found in the 'Speaking Out' feature?
BAME ethnic groups are represented mainly in the Speaking Out section of the magazine which positively highlights minorities who do not usually get any positive recognition in the media.
3) What representation of women and femininity can be found in Oh Comely?
Oh Comely focuses on empowering women and showing how successful women can really be which is constructed through the specific imagery and content used in the magazine. The "More Than Gender" interview also captures this - focuses on the idea of mental health and identity issues and how overcoming it can be a difficult journey because these individuals are going against social norms regarding gender and masculinity/femininity
4) Why might Oh Comely deliberately under-represent men? (The absence of men in the magazine appears to be a largely deliberate move by the editors).
The deliberate absence of men in the magazine is to keep focus on the empowerment of women and bring attention to a group of people who do not get much recognition in broad/mainstream media.
5) Does Oh Comely fit into the possible fourth wave of feminism? Or is it evidence of post-feminism - that feminism is no longer needed?
I think that Oh Comely fits into the fourth wave of feminism to some degree. This is because it incorporates the use of social media throughout the magazine by adding the tags of the inspirational women, so that consumers can be contacted.The women also use social media to campaign and raise awareness on issues such as FGM etc.
7) Judith Butler argues gender is a performance. How does Oh Comely challenge traditional gender roles? You should refer to both the cover and the selected CSP features.
Oh Comely challenges gender roles through the depiction of the cover model on the front of the magazine. Her appearance and pose have been constructed in order to highlight her facial features and present her as a powerful character. Her pose does not accentuate her physique and her clothing does not reveal her skin, rather, it covers it. This is significant as it reflects Oh Comely's attempts to shun the idea of corporal perfection and reject what is considered "beautiful" in society. The pictures taken of the women in the Speaking Our feature are also effective in challenging gender roles. The action shots/candid images of the women highlights them off guard, making the photos seem natural. This challenges the theory of the male gaze and the idea that women act a certain way for males to look at them, rather than connecting with them on an intellectual level.
8) Angela McRobbie explored the empowering nature of women's lifestyle magazines in the 1990s. Oh Comely seeks female empowerment in a different way. What differences can you find between Oh Comely and more traditional women's lifestyle magazines such as Cosmopolitan or Glamour?
Oh Comely focuses more on the impact of women and their intellect, whereas Cosmopolitan focuses on the lifestyle of women, as well as their appearance and maintaining this appearance. Oh Comely attempts to inspire women to change the world whereas Cosmopolitan attempts to encourage women to fit into this idea of corporal perfection and appearances in order for them to feel more confident.
9) David Gauntlett argues that identity is becoming more fluid, media representations change over time and that there are generational differences. Does Oh Comely support this viewpoint?
Oh comely supports a more modern perspective on representations as it portrays gender fluidity as well as the idea that identity is becoming more fluid and less fixed.
10) It has been argued that Oh Comely is a far more open text (Stuart Hall - encoding and decoding) with more room for negotiation in interpretation. Do you agree with this view? Why?
I agree that compared to other magazines, Oh Comely is far more open and allows the audience to interpret content in their own way. The lack of cover lines is a subverted convention that shows that the magazine is less fixed and has a broader message that it is trying to convey rather than a range of smaller more specific ideas.
3) What representation of women and femininity can be found in Oh Comely?
Oh Comely focuses on empowering women and showing how successful women can really be which is constructed through the specific imagery and content used in the magazine. The "More Than Gender" interview also captures this - focuses on the idea of mental health and identity issues and how overcoming it can be a difficult journey because these individuals are going against social norms regarding gender and masculinity/femininity
4) Why might Oh Comely deliberately under-represent men? (The absence of men in the magazine appears to be a largely deliberate move by the editors).
The deliberate absence of men in the magazine is to keep focus on the empowerment of women and bring attention to a group of people who do not get much recognition in broad/mainstream media.
5) Does Oh Comely fit into the possible fourth wave of feminism? Or is it evidence of post-feminism - that feminism is no longer needed?
I think that Oh Comely fits into the fourth wave of feminism to some degree. This is because it incorporates the use of social media throughout the magazine by adding the tags of the inspirational women, so that consumers can be contacted.The women also use social media to campaign and raise awareness on issues such as FGM etc.
6) How does the 'More than gender' feature challenge Levi-Strauss's structuralist theory of binary opposition?
Highlights the fact that gender is not a fixed or binary concept. It can change and our identities can be constructed by us (Gauntlet). Our identities change as we change.7) Judith Butler argues gender is a performance. How does Oh Comely challenge traditional gender roles? You should refer to both the cover and the selected CSP features.
8) Angela McRobbie explored the empowering nature of women's lifestyle magazines in the 1990s. Oh Comely seeks female empowerment in a different way. What differences can you find between Oh Comely and more traditional women's lifestyle magazines such as Cosmopolitan or Glamour?
9) David Gauntlett argues that identity is becoming more fluid, media representations change over time and that there are generational differences. Does Oh Comely support this viewpoint?
10) It has been argued that Oh Comely is a far more open text (Stuart Hall - encoding and decoding) with more room for negotiation in interpretation. Do you agree with this view? Why?
I agree that compared to other magazines, Oh Comely is far more open and allows the audience to interpret content in their own way. The lack of cover lines is a subverted convention that shows that the magazine is less fixed and has a broader message that it is trying to convey rather than a range of smaller more specific ideas.
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